Independent Cultural Magazine
Previous Issues
Collectible Items - $10 each
Issue 6 explores what it means to live in a city where over 130 languages are spoken, and how much gets lost, found, and misread in between.
Inside: Milena Brown on the daily miscommunications of a bilingual city; Hadass Bar-Lev's perzine Purple Moon Spawn; Ryan Wheelbarrow's Read the Room; a piece by Marcos Cappa of Fanzine Puerto Rico following María Benedetti's lifelong journey back to the Spanish that was kept from her as a child; The Language of the Village by Flavia Acosta Fox; and Serci Cox on the things that don't translate, and the connections that happen anyway.
Issue 5 explores the murals, installations, and artists who turn the city's surfaces into something worth stopping for.
Inside: an interview with Colombian urban artist Morazul, whose work has been claiming streets across Latin America and Miami for twenty years; Ryan Wheelbarrow's Nothing is Sacred; Megan Roth's column Only Fins on diving Neptune Memorial Reef; I Knew I Was Lisa The Whole Time, a piece by Serci Cox; and a ZineMap feature with Tiana Traffas and Fanzine Puerto Rico.
Nobody talks about getting around Miami without telling a story. Issue #4 explores how people move through a city that was never quite designed for movement.
Also inside: Megan Roth's column No Crying in Shark Diving, Ryan Wheelbarrow's central spread I Am Here, a musical reflection on Hit the Road Jack, and Trains in Japan, a comic by Avery Hick in partnership with ZineMap.
The peacocks cross the street without looking. The monk parakeets arrived from somewhere else and never left. The mockingbird will argue with its own reflection.
Issue #3 is about Miami's birds, the expected ones and the ones nobody warned you about, and the quiet case they make for paying more attention to what's already around you.
From the right angle, on the right evening, Biscayne Bay can make you forget every complicated thing about this city.
Issue #2 lives in that moment, the skyline at night, the water, the particular silence of being on a boat while Miami keeps moving without you.
An issue about stillness in a city that never stops.
Every city has a place that is impossible to explain to someone who hasn't been there. In Miami, one of those places is a hot dog stand on US1.
Issue #1 starts there, at Dogma Grill, on Biscayne Boulevard, on a stretch of road that connects more of the city than most people realize.
A hand-drawn love letter to the unglamorous, necessary, irreplaceable corners of Miami.
Current Issue: An Underwater City
Issue 7 | October, 2026
Miami was built on water, and it shows.
Issue 7 explores what it means to live in a city surrounded by the ocean, the bay, and the Everglades, a place where the same water that floods your street on a Tuesday is what makes everyone want to move here.
Also inside: Ryan Wheelbarrow on Flow State, a poem by Tree of Liminality, Megan Roth's column Letter to My Dad, an interview with Alex Merbouti of Cumbiamba (the psychedelic cumbia band that debuted to 400 people at a North Miami parking lot) a piece by Serci Cox, a recipe from Read It & Eat It, and a featured artist spread with paintings by Alicia del Aguila, whose mixed media work responds to the theme with the same attention to living systems she brings to her work as a regenerative farmer.
